“Delia was an overbearing cake with condescending

frosting, and admittedly, I was on a eating regimen.”

― Maggie Stiefvater, Lament: The Faerie Queen’s Deception

Look fastidiously on the citation that seems above. Nearly each literary character in Moore, Dante, Homer, Virgil, Sophocles, Marlowe, and Shakespeare who we are going to examine collectively, can’t keep on a eating regimen or steadfastly refuses to embark upon one within the first place. Choose a temptation (in one in all these texts) that threatens to irrevocably mess issues up for our hero. What’s the temptation? Why does the hero or storyteller give in (they at all times do)? Are the occasions depicted timeless or will we nonetheless see proof of those occurrences right this moment?

Choose one of many texts and focus upon it and authors who write critically about it (and the writer). There are a number of methods to method this research. Think about your self as a psychologist or a psychiatrist or a counselor. How would you ‘deal with” the hero? Can he/she see that he/she is making errors? Does she or he have a mentor? Would others deal with these circumstances otherwise?

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(7) Seven Full Pages

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Dimension Twelve

Use At Minimal (three) Three Arduous Important Sources

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c”Delia was a domineering cake with a condescending demeanor.

frosting, and, to be sincere, I was on a eating regimen.”

Lament: The Faerie Queen’s Deception, Maggie Stiefvater

Take an in depth take a look at the citation above. Nearly each literary determine in Moore, Dante, Homer, Virgil, Sophocles, Marlowe, and Shakespeare that we will examine can’t keep on with a eating regimen or refuses to begin one within the first place. Select a temptation (from one in all these texts) that threatens to irreversibly smash our hero’s life. What’s the temptation? Why does the hero or storyteller give in (they at all times do)? Are the occasions depicted timeless or will we nonetheless see proof of those occurrences right this moment?

Choose one of many texts and focus upon it and authors who

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