In spite of everything, Russia has featured prominently in Poland’s historic reminiscence and cultural representations: because the inferior occupier, the encroaching neighbour and the rising financial energy to be each feared and admired. Specializing in frequent representations of Russia in Poland, such because the dependence on the Russian fuel or the supposedly rising quantity of Russian intelligence officers within the area, questions – not solely concerning the two international locations’ troubled relations, but additionally about Poland’s personal nation constructing and cultural reminiscence rise. Write an essay of max 1000 phrases which offers with representations of Russia in modern Polish movie. You’ll be able to give attention to both of the movies above or different Polish function movies of your selection. Though that is solely a brief piece of work, ensure you slender down the subject, pose an excellent analysis Question Assignment, which invitations an analytical moderately than a descriptive strategy, and present footnotes and bibliography. No less than three secondary sources are required.
Readings:
– Valentina Feklyunina, Russia’s overseas coverage in direction of Poland: Searching for reconciliation? A social constructivist Assessment, Worldwide Politics 49/four (2012): 434-448;
– Tomasz Zarycki, Makes use of of Russia: The Function of Russia within the Fashionable Polish Nationwide Id, East European Politics and Societies, 18/four (2004): 595–627.
Movies:
– Waldemar Krzystek (dir.). Little Moscow, 2008.
– Andrzej Wajda (dir.), Katyń, 2007.
Film Representations of Relations Between Poland and Russia

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Film Representations of Relations Between Poland and Russia
The movie has been extra significant for its artistic depiction of society, together with illustrating historic patterns. Over time, the movie could be a artistic outlet utilized by movie creators to current the destructive notion of Poland in direction of Russia (Fort, 2015, 7). Russia has been thought-about the nation of decrease civilization and a menace to Poland in numerous contexts, together with politics, military-wise, and economically (Zarycki, 2004, 595). The Assessment of the 2 Polish movies, Katyń, directed by Andrzej Wajda, and Little Moscow, directed by Waldemar Krzystek, would exhibit the angle of Polish in Russia, particularly in emphasizing it being a menace to them and even different European international locations.
Typically, Andrzej Wajda’s Katyń is a movie that depicts the homicide of hundreds of Polish officers by the Soviet NKVD (secret regulation enforcement). The modern movie has been set after the Chilly Conflict, and the mom, spouse, and daughter of one Police officer are ready for the officer’s return from camp. After caring with the lengthy period the officer was speaking about not returning, they looked for him (Katyń., 2007). The movie covers one of essentially the most heart-wrenching points for the Polish folks: the Katyn bloodbath. The movie evoked appreciable heavy feelings on the brutal truths of the Katyn crime. The viewers will get to grasp the in depth struggling that the affected households needed to undergo. This can be a painfully merciless reality, particularly going by way of the inhumane certainty of the ladies who waited each day for the return of their now-deceased relations. It’s prudent to notice that the movie was not towards the Russian folks. Nonetheless, this movie depicted the horrors of the Stalin regime. This turned one of the principle causes for the unwelcoming attitudes in direction of the Russians and why the Polish folks have at all times checked out them as threats.
The 1967 Little Moscow movie was set after the Chilly Conflict at Legnica, Southwestern Poland. This city has been was the biggest Soviet garrison by the Purple Military as a result of proximity of Legnica to Czechoslovakia and East Germany. Vera, the spouse of the Soviet pilot Yura, falls in love with Michel, a police officer. This forbidden love affair goes by way of many twists and turns till the top, the place Yura and his indignant daughter, Vera, face the previous and make peace with it. Notably, the characters within the movie had been a transparent illustration of the precise views of one another. The NKWD members at Legnica didn’t topic the Poles to bodily violence for the reason that latter group had attained a sure diploma of sovereignty. Additionally, the movie was set in the course of the post-war period. Nonetheless, the key police continually surveyed the Poles and inflicted violence and inflicted violence if provoked, such because the Poles transgressing the code of conduct, together with the forbidden love affair. Notably, the violent elements of the Russians in direction of the Poles had been significantly deported in Katyn because it was a scientific ethnic cleaning affiliated with the extermination of Jews by the Nazia. Additionally, the Russians engaged within the destruction of Polish intelligentsia, which they understood was very vital in preserving the Polish identification,
Regardless of the crudeness within the fashion and ideologies integrated within the movies, these depictions are acknowledged as genuine representations of the previous. This was appreciable as a result of they had been introduced as reminiscence works as an alternative of crystallized reminiscence. Kaityn was partially reliant on the diary of one officer killed at Kaityn and confirmed how a number of ladies coped with the ‘discursive cleaning’ (Brouwer, 2016, 54). Little Moscow is a confrontation of the historical past of the love affair between Vera and Michal by way of their daughter’s and Yura’s reminiscences (Brouwer, 2016, 54). The shut hyperlinks of the movies with reminiscences as an alternative of impersonal historical past rendered the 2 movies a noble and reliable expertise of the Polish and Russians.
Movies similar to Kaityn and Little Moscow did a correct job depicting the tensions which have gripped the relations between Russia and Poland. Notably, these tensions got here from the totally different historic grievances associated to the Soviet doings underneath Stalin (Feklyunina, 2012, 446). The relations between the 2 areas have significantly been influenced by the totally different historic narratives which have created the dominant identities, which political elites would later promote to take care of the identities.

Reference Record
Brouwer, S., 2016. Contested Interpretations of the Previous in Polish, Russian, and Ukrainian Film: Display screen as Battlefield. Brill.
Fort, D., 2015. Between Historical past and Fiction: Visualizing Modern Polish Cultural Id.
Feklyunina, V., 2012. Russia’s overseas coverage in direction of Poland: Searching for reconciliation? A social constructivist Assessment. Worldwide Politics, 49(four), pp.434-448.
Katyń. 2007. [DVD] Directed by A. Wajda.
Little Moscow. 2021. [DVD] Directed by W. Krzystek.
Zarycki, T., 2004. Makes use of of Russia: the function of Russia within the fashionable Polish nationwide identification. East European politics and societies, 18(four), pp.595-627.

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